ISMIR 2020 : International Society for Music Information Retrieval Conference

  in Conferences   Posted on May 10, 2020

Conference Information

Submission Deadline Friday 15 May 2020 Proceedings indexed by :
Conference Dates Oct 11, 2020 - Oct 15, 2020
Conference Address MONTREAL, Canada
Conference & Submission Link https://ismir.github.io/ISMIR2020/
Conference Organizers : ( Deadline extended ? Click here to edit )

Conference Ranking & Metrics (This is a TOP Conference)

Impact Score 2.31
#Contributing Top Scientists 19
#Papers published by Top Scientists 37
Google Scholar H5-index 36
Number of Editions: 21
Guide2Research Overall Ranking: 372
Category Rankings
Databases & Information Systems 65
Signal Processing 72
Web, Mobile & Multimedia Technologies 66

Conference Call for Papers

The annual conference of the International Society for Music Information Retrieval (ISMIR) is the world’s leading research forum on processing, analyzing, searching, organizing and accessing music-related data. The 21st ISMIR conference (https://ismir.github.io/ISMIR2020/), to be held in Montreal, Canada, welcomes contributions related to any aspect of Music IR, including foundations and theories for music processing, evaluation algorithms, applications, and analysis.

ISMIR 2020 welcomes full-paper contributions to any aspect of Music IR. Relevant topics include, but are not limited to:

MIR fundamentals and methodology: music signal processing; symbolic music processing; metadata, tags, linked data, and semantic web; lyrics and other textual data, web mining, and natural language processing; multimodality.

Domain knowledge: representations of music; music acoustics; computational music theory and musicology; cognitive MIR; machine learning/artificial intelligence for music.

Musical features and properties: melody and motives; harmony, chords and tonality; rhythm, beat, tempo; structure, segmentation, and form; timbre, instrumentation, and voice; musical style and genre; musical affect, emotion and mood; expression and performative aspects of music.

MIR tasks: sound source separation; music transcription and annotation; optical music recognition; alignment, synchronization, and score following; music summarization; music synthesis and transformation; fingerprinting; automatic classification; indexing and querying; pattern matching and detection; similarity metrics.

Evaluation, datasets, and reproducibility: evaluation methodology; evaluation metrics; novel datasets and use cases; annotation protocols; reproducibility; MIR tasks.

Philosophical and ethical discussions: philosophical and methodological foundations; legal and societal aspects of MIR; ethical issues related to designing and implementing MIR tools and technologies.

Human-centered MIR: user behavior analysis and mining, user modeling; human-computer interaction and interfaces; personalization; user-centered evaluation.

Applications: digital libraries and archives; music retrieval systems; music recommendation and playlist generation; music and health, well-being and therapy; music training and education; music composition, performance, and production; gaming; business and marketing.

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